Now in its eighth season, Castle is shot on two standing sets at Raleigh Studios in Hollywood. Their level of scenic detail is masterful. Using ETC Net3 Gateway, Weeks has fingertip control of light levels in the New York City police precinct and Castle's loft apartment. "The sets are big - 23m by 7.5m - so it took some
The Wilder Mind tour has seen the British four-piece play sold-out dates across the USA, Canada and Europe. Warren specified the B-EYEs from Neg Earth to complement the rockier sound of the band's new material.
"For this tour, my concept was about updating the usual Mumford aesthetic whilst still retaining their signature vibe," explains Warren. "The graphic effects and brilliant colours from the B-EYEs complement the more traditional looks from a large wall of Par Cans."
Warren is using the B-EYEs for backlight. Eight are positioned behind th
For the 2015 Kaaboo, lighting designer Chris Lisle was brought on by production manager Jim Dorroh, and he worked with Solotech to create a powerful and expansive rig using 36 VL4000 Spot, 41 VL3500 Wash and 12 VL3500 Wash FX luminaires.
"While this was my first year working with Kaaboo, associate designer Erik Parker and I knew that we needed to provide a rig that would be easy to clone to/from the touring artists normal show file," began Lisle. "A good mixture and placement of wash, spot, and beam fixtures is always critical, and since I've us
With a life-affirming name like the Life is Beautiful Festival and an opening night that featured a performance by Stevie Wonder, it's no surprise that the third incarnation of the music and arts festival was a success. Held 25-27 September in Downtown Las Vegas, the three-day festival focused on four cultural elements: food, art, learning, and of course, music
Part of his Nikos Vertis Tour 2015, with 4,000 people packed into the venue it proved to be the biggest concert of the year - to the delight of local promoters and event organisers, VreauBilet.ro.
Handling the technical production were Temple Media, and the artist's lighting designer, Emiliano Bistri, worked closely with the venue's in-house lighting technician, Temple Media's Cristian Simon, to design a rig based heavily on PR Lighting fixtures.
In order to light up the star and his 38 piece orchestra they deployed 40 x XR 200 Beam, 18 x XLed 1061 and 44 x XR 230 Spot as the mainstay of the production lighting - supported by 36 x Showtec Sunstrip bars.
The production crew included 30 technicians
"The Rogues turned up the intensity on this tour," said longtime Yellowcard lighting designer Cody James of JDI Productions. "It was a trip back in time in a way, with the band returning to some older songs that were faster and more hard-driving than the new material they've been performing. We wanted a fixture that could reflect this attitude - and the Rogues fit the bill.
"Plus they were compact and easy to set up, which helped a lot on this cross-country tour. The user-friendliness of this fixture, together with the help I got from the guys at JDI Prod
The event encompassed a two day conference with two evenings of themed entertainment and was staged in the beautiful and majestic environs of Ashridge House in Hertfordshire. Nestling in 190 acres of impeccably preened gardens and parkland, the impressive stately home was built between 1808 and 1814 on the site of the original Ashridge Priory dating back to the 13th century. It is now owned by the National Trust, and more recently, full business conference facilities were added.
PB Jacobse, managing director of rhubarb, comments, "Sky Garden is a unique venue as it is one of the few event spaces that offers panoramic, breath-taking views of London. That said, for those visiting the space on an evening, there was no actual lighting set-up. Therefore we wanted to create something which would not only compliment the space and surrounding views but also c
Published in The Times, the letter said fans are being "ripped-off by touts who anonymously exploit fair ticket prices via online ticket marketplaces". It urges the government to put "the public's interests before the touts". A government consultation on the resale of tickets closed last Friday. "As artist managers, we deplore the increasing industrial-scale abuse and insider exploitation of tickets for music, arts and sports events by ticket touts," the letter says. "The consequence in many cases is that fans will attend fewer shows, meaning that the profits made
The move by Black Light Ltd will see its 21 members of staff given the opportunity to become owners in the business.
Black Light designs, supplies and installs lighting and AV equipment to theatre, architecture, education, entertainment and retail. The company has an annual turnover of £3m.
The business was founded over 30 years ago by Gavin Stewart as a mobile disco. In the years' since it has developed a worldwide reputation for its innovative lighting solutions, with other projects including the Botanic Lights at Edinburgh's Royal Botanical Gardens.
Gavin Stewart, managing director, Black Light, said, "I was looking for an exit strategy that allowed the firm to continue to grow and flourish. A sale to the employ
Published in The Times, the letter said fans are being "ripped-off by touts who anonymously exploit fair ticket prices via online ticket marketplaces". It urges the government to put "the public's interests before the touts". A government consultation on the resale of tickets closed last Friday. "As artist managers, we deplore the increasing industrial-scale abuse and insider exploitation of tickets for music, arts and sports events by ticket touts," the letter says. "The consequence in many cases is that fans will attend fewer shows, meaning that the profits mad
As Chauvet's second European facility, the Belgium office will cater to demand in the Belgium, Netherlands and Luxembourg regions. In conjunction with Chauvet's UK branch, the new office will also play a key role in servicing and supporting distributors elsewhere on the European mainland, with particular emphasis on France, Germany and Italy.
Among the highlights of the evening was a lightshow of epic proportions that
Right in the thick of all the Mallory Knox live onstage action is lighting and set designer Jordon Cooper who has worked with the band since 2013 after initially being asked to light a one off gig which they liked.
On the previous tour, Jordon has used Robe Pointes, and for this one as a floor package he chose 24 x Robe LEDBeam 100s which were supplied by north Yorkshire based R&M Productions together with four strobes and some LED battens. They hooked into the house overhead rigs at each venue.
R&M additionally built the set which was designed by Jordon and the band and inspired by the Asymmetry album artwork.
With
With heavy foot traffic throughout every performance, both the stage floor and the printed design needed to be incredibly durable yet still provide a comfortable surface for the performers themselves.
"We explained what we needed and Le Mark were quick to provide a quality product. They were professional all the way: from placing the order right through to delivery. It was exactly what we needed for this musical." said Tristan Baker, producer at Runaway Entertainment.
The bespoke design was printed on to Le Mark's most popular floor
In this beautiful scenery, Hotel Impozant is situated in Valca Valley. The hotel owner has for a long time sought the nearby creek illuminated by a light source which could be hidden under the bridge. His intention was to increase the attractiveness of the site to a new and higher level. Therefore, he turned to Milan Ondisko, sales manager of City Light Slovakia s.r.o., who quickly arranged a demonstration on one summer evening during sunset.
"The hotel owner preferred two strong quality lights instead of several smaller fixtures. Once we turned on the light, no more words were necessary. The SGM P-5 talked for itself and proved to be the perfect tool; plenty of rich coloured light output to illuminate the creek with its banks and sur
Head of sound Mike Somerville explains: "It's a very busy show for sound and having Leopard for our sound reinforcement was the ideal solution to deliver the best overall sound possible. With nine Leopards and 2 900-LFC subs each side I've never heard anything in that theatre sound so good. I was extremely impressed by the way the sound was very even across the entire frequency range as you walked both towards and away from the arrays. It was a much smoother progression, in both level and consistency of frequency response. To me this
tn.jpg "Shaping Sound is hitting stages all across North America")
The dance team that can be seen in Carrie Underwood's Something in the Water and So You Think You Can Dance? created a show that is immaculately choreographed, requiring lighting designers Seth Jackson and Nathan W. Scheuer to create a rig mainly comprised of VL 3500 Spots.
"We needed the framing shutters, the zoom, the iris, all of those elements to lock in with the incredible specificity of the choreography," said Jackson. In addition to the Spots, Bandit provided Impressions for wash f
Once a year, leading lighting designers and companies are invited to Alingsås to demonstrate their expertise, attend networking events and hold workshops. For five weeks, the dark evenings of Sweden are transformed into beautiful lighting installations around the town.
The theme for Lights in Alingsås 2015 was The Evolution of Light, from the big bang to the present age, with a specific focus on how new technologies such as LED can help reduce the environmental impact. W-DMX was used to demonstrate the elimination of excess cable.
Lighting designers Bertil Göransson and Johan Moritz from the company Luxera were responsibl
!["CIExy1931" by User:PAR - Own work. Licensed under Public Domain via Commons - https://commons.wikimedia.org/wiki/File:CIExy1931.png#/media/File:CIExy1931.png](/newsarchive/nov2015/cie1931tn.jpg ""CIExy1931" by User:PAR - Own work. Licensed under Public Domain via Commons - https://commons.wikimedia.org/wiki/File:CIExy1931.png#/media/File:CIExy1931.png")
The CIE have also accepted that the CRI has several significant sources of colorimetric inaccuracies and accept that it should be updated with the latest well-accepted formulae and an improved set of test samples. CIE's own Technical Committee (TC1-90) is in the process of developing a new improved colour fidelity metric that can update the CRI. The CIE also recognises that the colour fidelity metrics including the CRI do not assess other important aspects of the colour qualities of light sources, in particular, those related to colour preference.
CIE TC 1-91 is developing a Technical Report on this subject, which will be the groundwork for developing colou
Using lighting provided by Bandit Lites, lighting designer Mark Wheatley took his knowledge of Anderson's lighting preferences (no haze, no 'mad flashing lights' and dislike of follow spots) to compliment Jethro Tull - The Rock Opera, which features both earlier hits and newly written songs.
"The workhorse fixtures are Martin MAC Viper profiles, GLP Impression X4s on mid and back truss, Mac Auras on front truss and pros booms and Sharpys on back truss and floor," said Wheatley. "We also use Showtec Sunstrips as blinders and effects on floor towers and back truss. An 18k HD projector on the show is rigged either on the front or mid truss depending
Simon Garrett from Oceania Productions lit the show-space which is also known as 'The Runway' by NZFW fans. Simon has been involved with the event for many years, but this was his first using 12 x of Robe's powerful BMFL Spots, which were rigged on a spine truss above the 30m polished concrete presentation runway.
Fashion - and its increasing penchant for drama and theatrical presentation - is demanding more thought, imagination and lateral thinking - when it comes to lighting, in addition to the pressure to replicate those camera-perfect flesh tones for the massed photographers and video
Nipius has been working with Suede since the late 1990s and was asked to create a lighting design to complement the band's 'experiential' new shows, which were performed to launch a new concept album and short film.
For the first half of the show, lead singer Brett Anderson and his bandmates performed behind a partially transparent screen, onto which their movie - a 'dark and dramatic tale of love and despair' - was projected. For the second half, the screen was pulled up to reveal the group as they played a selection of Suede classics.
Avolites' exclusive Netherlands distributor Fairlight supplied the Tiger Touch II to Keylight's Gary Yates after inviting him and
Five DTS Raptors were mounted on a large commercial ship's helicopter pad, while Blyth's historical lighthouse was highlighted with help from a single Raptor. Full advantage was taken of the limitless pan rotation to create an unforgettable sight. Back on firm ground the DTS Evo fixtures delivered stunning effects across the bow of the ship and along the starboard side with rotating gobos and colours. The EVO fixtures provided bright and crisp beams.
"The DTS fixtures delivered stunning aerial displays of light across the skies of Northumberland and out into the North Sea," says David Thompson of Steadlands Lighting & Sound. "It was very impressive to see the incredi
In 2002, Peroni graduated from the film and television school, Institut des Arts de Diffusion (IAD), in Louvain-la-Neuve, Belgium, where he studied lighting. Following his graduation, Peroni began working for television studios in Rome, then joined Link S.r.l., an entertainment-product manufacturer based out of Italy. There he served as a project manager for the American market. In 2011, he began a new job at Luxemburg's Codex Events, serving as production manager for events. Then in 2013, Peroni joined ETC as
